What Makes a Story – #4 – Speech

I’ve been utterly useless at posting recently (life has gotten in the way) but I’m determined to see these series of posts out. So this time I’ve been thinking a lot about speech and as a writer and reader poorly executed speech really grinds my gears.

So what is poorly executed speech? I think the best way to explain that it to look over some examples.

1) “I am coming” “I did not go to the park” “I will not succeed”

All of these examples lack contractions. If you’re writing a modern story, set in a modern time, use the contracted versions (i.e. shouldn’t, didn’t doesn’t) unless you’re emphasising a point. The simple reason it annoys me is because no one actually speaks like that and it always feels as though the writer has never tried reading their work out loud. Read your work out loud, it’s crucial for getting the feel right.

Of course if you’re using an antiquated setting then the full words are better. It’s all about context.

But, the more accurate you make your speech, the more accurately you construct your characters. And you know I think it’s all about the characters.

2) “Could you pass me that biscuit, please?” … “Sure, here you go.”…. “Thank you” …. “You’re welcome.”

I love manners, I think they’re really important in society but not so much in books. Speech sequences like this are waffle and some writers can make them go on for pages. If your characters are having a conversation, make sure they’re talking about something: a) important to the plot or b) amusing or interesting. Long manner sequences, and the like, do not fall into either category. Cut it out.

3) “Look at that star.” I said.

“It’s amazing,” he said.

“Isn’t it just?” I replied.

“I wish it was nearer.” he said.

“Me too. It looks so shiny.”  I said.

Please ignore the pointless subject matter of this quickly improvised speech (I know, I’ve just broken my own rule). The point I’m trying to make is that there are a lot of ‘saids’ going on. Getting the said balance right is a tough one. Sometimes, you have to sit back and let the form of your work do it’s job. If it’s clear there are two people having a conversation and their speech is on separate lines, you won’t have to put said all the time. Just chuck it in occasionally to make it extra clear.

I once read something that said ‘said’ is the only word you should use to describe speech, if you have to say ‘said haughtily’ or ‘nastily’ etc then the speech itself hasn’t done its job.

While I don’t fully agree with that, I do take the point that speech needs to be full of quality and not fluff or filler.

I’ve taken such a strong view on speech because I love speech-y novels, I’d take speech over description any day because it helps me visualise a scene better. And if the speech is naff and unrealistic, it spoils the book a little bit.

What about you? What are your pet peeves about speech in novels? Do you like books with a lot of speech in?

I’d love to hear from you!

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4 thoughts on “What Makes a Story – #4 – Speech

  1. That’s an interesting point about not adding adverbs to “said”. I’ll probably be subconsciously looking out for that in books now 😛
    I do agree with the points you’ve made, though. I reckon engaging dialogue can really help with the pace of a story. It’s a shame when it ends up a bit clumsy or awkward.

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    • Thanks for stopping by! Haha try not to look at the words too hard, it ruins reading after a while. I’m not sure I agree with the said thing and I wish I could remember where I read it (it was at uni a while ago) but it makes a good point. Bad dialogue really does drag a story down.

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  2. Aloha Sophie,

    Your post “What Makes a Story – #4 – Speech” (https://sophiesdiamondwords.wordpress.com/2014/11/17/what-makes-a-story-4-speech/ ) hit home with me. I feel dialogue makes or breaks a story.

    To me the narrator moves the characters around the setting and through the plot. But the dialogue between the characters is what really makes a reader care about them.

    The narrator is of course the author and can speak in his or her own voice. The characters, however, have no such freedom – every word they utter must be ‘in character’. The narrator and all of the characters sounding alike is a major contributor to dull stories.

    Sophie, thank you for posting – I will now be following. And I hope my comment is of some help to someone.

    A Hui Hou (until next time),
    Wayne

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